Twisters

Twisters
2024 - PG-13
Director: Lee Isaac Chung
Glen Powell, Daisy Edgar-Jones

So I went and watched the new "Twisters" movie. Short story - go see it. Long story - well...

"Twisters" is a very engaging film with lots of tornado action, good storyline and most importantly - one of the few films this year that doesn't push and social or political agenda. I was tripod about seeing this film because the very title of it makes it ripe for a climate change storyline but thankfully that angle never occurs. In fact the closest anything in this film comes to being socially or politically charged is a very minor character who may or may not be androgynous though that is purely a visual observation and nothing in the dialogue alludes to it.

I thought this film would have some kind of connection to the original 1996 "Twister." However the only two connections I could find were 1) both films dealt with tornados and chasers seeking to decipher how they form so they can more easily be predicted and save lives and 2) both films have the little ping pong ball size electronic devices they try to get into the tornado (but this is a minor observance and not a feature of the film the way the original did).

Just as the original "Twister" did, "Twisters" makes use of some great CGI effects to bring home the horror of a tornado. Glen Powell (Top Gun: Maverick) shines as a former cowboy turned self-proclaimed "tornado chaser." Newcomer Daisy Edgar-Jones is delightful as the principle protagonist and weather science whiz even though she looks like she hasn't even graduated high-school yet.

All in all "Twisters" is a really fun movie. Sitting here writing this I'm trying to recall any cussing in the film. Seems like there may have been one or two times but honestly I can't really recall any foul language being used but it IS rated PG-13. What a relief to go to a film that actually doesn't try to stuff a political or social agenda down your throat. It's just good fun for 2 hours.

First Man

First Man
2018 - PG-13
Director:Damien Chazelle
Ryan Gosling, Claire Foy, Kyle Chandler

   I went to see the new film "First Man" hoping to watch an historically accurate and emotionally moving epic about the space race I grew up with. I was soooo disappointed! 
   Neil Armstrong has always been bigger than life to me and a real American hero. Unfortunately watching this movie unfold is EXTREMELY slow, boring and with very little dialogue. Add to that how they make Neil out to be some introverted, heartless and myopic husband and father and you're left wondering why did I waste one of my three MoviePass selections on this film? I was expecting at least SOME action but it was more like watching cardboard cutouts moving around the screen. 
   The film has only ONE redeeming quality and that is some of the footage of the landing and the scenery on the moon. But even there I was dragged down by the Armstrong character just standing there doing nothing but being an introvert and seemingly missing the greatness of the moment. PLEASE PLEASE don't pay to see this movie. If you feel you have to see it wait until it shows up on cable. It wasn't worth the gas it took to get to the theatre. On a scale of 1-10 I give this movie a negative 2!
Sorry they did this to you Neil Armstrong!

The Sting

The Sting
1973 -- Rated PG
Director: George Roy Hill
Paul Newman, Robert Redford, Robert Shaw

It's a damp cold day today so I pulled out my copy of the DVD The Sting, the 1973 classic con movie staring Paul Newman and Robert Redford. I don't know for sure what it is about a grifter movie I love so much - maybe it's the intricate plot twists involved, maybe it's the level of trust the con artists must have in each other, but whatever it is I love it and The Sting is a masterpiece of con movies as evidenced by the seven academy awards it walked away with including Best Director (George Roy Hill), Best Music (Marvin Hamlisch), Best Screenplay (David Ward) and of course Best Picture.
As a period piece The Sting is a jewel. The costumes (which also won an Oscar), the vintage cars, the locales (again, also an Oscar for set design) and the lingo are breathtaking to behold. The character actors in this movie read like a Who's Who of character actors with Harold Gould (Patch Adams), Ray Walston (South Pacific and TV's My Favorite Martian), Dana Elcar (TV's MacGyver), and many more. Newman and Redford though are, of course, the stars and their bountiful talent plays well against each other. In fact I feel their performances in The Sting are far superior to the other great buddy film they joined forces in - Butch Cassidy and the Sundance Kid (also a George Roy Hill film).
The premise of the sting is the long con of a dangerous New York racketeer (Robert Shaw) in retaliation for his having a friend of theirs killed. Pitting Lonnegan's (Shaw) weaknesses against himself the duo of Gondorff (Newman) and Hooker (Redford) lead an ensemble of veteran con artists in a magnificent game of deception to lure Lonnegan in and take him for half a million dollars (which in the 1930's was a lot of money) and to do it without him knowing he was taken.
So if you can find it on iTunes or Amazon or Netflix or any of those movie services you really need to invest in it and pull it out on a wet rainy day - believe me, it'll make you feel good!

Get Low

Get Low
2009 -- Rated PG13
Director: Aaron Schneider
Robert Duvall, Bill Murray, Lucas Black

As I sat and watched this film I wondered if Robert Duvall ever did a bad film. I couldn't think of any. I even looked him up on the Internet Movie Database (IMDb) to see if there were films that might have been less than stellar. The answer is no. Well, there was Gone in 60 Seconds which wasn't a highly acclaimed film but it was fun and Duvall's character definitely helped that movie stay away from the basement.
In Get Low, Duvall plays a cantankerous old hermit in rural 1930's Tennessee who sets out to throw his own funeral party while he is still alive but with a catch - those attending have to tell a story about him.
The story is well crafted, the casting is superb and the acting is above par. Bill Murray (Stripes, Lost in Translation) is absolutely mesmerizing as Frank Quinn the slightly skewed owner of the funeral parlor. Other notable performances include Sissy Spacek (Carrie, Coal Miner's Daughter), Gerald McRaney (TV's Simon & Simon), and Lucas Black (The Fast and the Furious: Tokyo Drift) as Buddy, a young up and coming funerary apprentice.
As wonderful as all the performances are, Duvall's acting stands far above his castmates. Get Low is humorous at times, nostalgic always and poignant when it needs to be - in short it is a masterpiece of film-making.

Across the Universe

Across The Universe
2007 -- PG13
Director: Julie Taymor
Jim Sturgess, Evan Rachel Wood, Joe Anderson

 For my friends who know me well it comes as no surprise that I would write about Across the Universe, the 2007 film that is built upon and around the music of the Beatles, after all the Beatles are without a doubt the greatest rock band that ever was or ever will be. Okay, I know that's a very subjective statement to make but hey - it's my blog! What I would find to be an even bigger surprise (especially to me) is that I actually LOVE this film. A surprise because I am extremely picky when it comes to artists who cover these icons of rock and roll, it either has to be an absolutely dead on cover that sounds like the original OR the artist has to make it completely their own - neither of which is an easy thing to do. In fact my friend, musician Clay Howard is probably the only artist I've heard that can do the Beatles, even acoustic, and do it well. I've even dubbed him the "sixth" Beatle. (Beatle fans should understand why sixth and not fifth).
 So the other day I decided to pop Across the Universe into the DVD player for the purpose of studying it's screenplay structure but of course it didn't take long to just get lost up in this beautiful piece of art - in fact I forgot about studying it the moment Jim Sturgess's character Jude launches into "Girl" in the very first scene.
 Across the Universe is a musical tale fabricated from the stories and characters created in the music of the Beatles. I'm not going to say much about the story line here (you'll have to rent the DVD) other than to say it is set against the backdrop of the turbulent, often violent 60's, the Vietnam war, hippies and the revolution America's youth was embroiled in at that time with the establishment.
 What I will say though is that each and every song is crafted and performed with an immensely powerful emotion that occasionally left me crying - yes crying. When Max (Joe Anderson) reports for his physical to determine his eligibility to be drafted into the Army the imagery that accompanies "I Want You (She's So Heavy)" is staggering. Likewise the mental pain and anguish of post traumatic stress is more felt than heard when Max sings "Happiness Is A Warm Gun" in the Army medical ward. Bono (as Doctor Robert) and Joe Cocker (as a bum) both deliver exhilarating performances of "I Am The Walrus" and "Come Together" respectively but comedian Eddie Izzard's tripping performance as Mr. Kite is truly spectacular, a prime example of making a song your own as he speaks the song ("For the Benefit of Mr. Kite") rather than singing it.
 That Dana Fuchs as Sadie and Martin Luther as Jo-Jo appear to channel Janis Joplin and Jimi Hendrix is surely no coincidence. The performance by each is truly mind blowing.
 Many of the best and most popular Beatles songs are to be found here including "Let It Be," "Hey Jude," "Helter Skelter," "All You Need Is Love," "While My Guitar Gently Weeps," "Strawberry Fields," "Something" and many more, all of which tell an integral part of the story that is Across the Universe - a movie that is far and away one of the best, if not the best neo-musical movie yet.

True Grit

True Grit
2010 -- PG 13
Director: Ethan & Joel Coen
Starring: Jeff Bridges, Matt Damon, Josh Brolin


 It is difficult to fathom anyone playing a role originally played by John Wayne, especially from one of his western or war films. Being a huge John Wayne fan it was with a lot of trepidation that I went to see the new Coen Brothers remake of the Wayne classic True Grit. "How," I wondered "can a couple of brothers who admittedly have made some fantastic dark comedy movies in the past (Fargo, Raising Arizona, O Brother Where Art Thou), possibly remake an iconic film like True Grit and expect it to be well received? The answer it would seem is that they stayed true to the original story, including much of the exact dialog. Jeff Bridges is cast in the role of the oft drunken and always cantankerous Rooster Cogburn and Matt Damon takes on the role of Texas Ranger La Boeuf, roles portrayed in the original by John Wayne and Glenn Campbell respectively. Apart from the wonderful cinematography, this film uses a wonderful musical score that is based solely on traditional Christian hymns such as "Leaning On The Everlasting Arms," "What A Friend We Have In Jesus," and "Hold To God's Unchanging Hands." The hymns are presented principally as orchestral pieces and provide the scenes with a musical theme that is understated so as to embellish and not to detract from the scene.
 Clearly though the Rooster Cogburn character could very well be the first movie role to provide the actor playing the part with an Oscar for both versions. John Wayne won his only Oscar playing Rooster in the original and Jeff Bridges could very easily win it for his portrayal of the same one-eyed lawman in this version.
 Other notable performances in this film include Josh Brolin who got top billing over Barry Pepper even though Pepper has more screen time. Both actors turn in wonderful performances in the respective roles of outlaws Tom Chaney (who Cogburn is after) and Lucky Ned Pepper. As far as the role of Mattie Ross, portrayed in the original by Kim Darby, new-comer Hailee Steinfeld makes the character every bit as insufferable as Darby's original portrayal.
 Bottom line is - go see this movie! True Grit is a throw-back to the days when movies were meant to be fun. This is how westerns were meant to be made!

*****UPDATE*****

True Grit ended up receiving ten Oscar nominations including Actor (Bridges), Supporting Actress (Steinfeld) and Film of the Year but alas it was a tough year and this incredible film came away with no wins.

Cloverfield

Cloverfield
2007 -- Rated R
Director: Matt Reeves
Michael Stahl-David, Jessica Lucas

    Cloverfield, the monster flick from J.J. Abrams (Lost, Alias), is an intensely crafted work of art that succeeds on every level of keeping you on edge and tense. Filmed entirely from the point of view of a hand held video camera (a la 1999's Blair Witch Project), Cloverfield begins with filming a going away party for Rob Hawkins (Michael Stahl-David - The Black Donnellys) at his New York City apartment when a sudden violent shaking of the building and subsequent blackout sends everyone to the roof top to see what's going on. From there the mayhem ensues and the camera continues to roll as Hud (T.J. Miller) leaves the camera on throughout their frightening night.
    The creature that has suddenly appeared in New York, lays waste to the big city in horrible fashion, knocking buildings over, beheading the Statue of Liberty, destroying the Brooklyn Bridge and on and on. The monster is not seen clearly through all of this, though it's size is definitely on an astronomical scale. Not until the very end do we get a good look at the behemoth and then not in its entirety due to its size.
    The one downfall of Cloverfield is that the filming style can become annoying at times and can cause you to feel nauseous. Even with a cast of unknowns it is largely due to the style of filming that this movie succeeds. You "feel" the tension, the anxiety and the fear as the creature and its smaller "offspring" devastate and devour.